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Patricia Hruby Powell

Author, Storyteller, Dancer

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“Anne Frank’s Diary: The Graphic Adaptation” retold by Ari Folman and illustrated by David Polonsky

June 23, 2019 By Patricia Hruby Powell Leave a Comment

I was younger than Anne Frank when I first read, was mesmerized by and devastated by “The Diary of a Young Girl.” And now I’m so much older than she. Yet, if Anne Frank had survived Bergen-Belsen concentration camp and lived on, she’d have turned ninety, this June 14, 2019. Anne is our contemporary. In the 1952 version I first read, passages that her father had deemed unseemly, had been deleted. Those have been returned to the script in newer editions.

The copyright to the original “Diary” expired in 2016 and now there is a remarkable new version, “Anne Frank’s Diary: The Graphic Adaptation” (Pantheon 2018) retold by Ari Folman and illustrated by David Polonsky. It’s not just a reiteration of the classic. The text and artwork take its readers to new places.

Anne tells her story in the first person, as by definition, a diary does. And the very nature of the visual images shows us Anne, her family members and the van Daans. Instead of Anne telling us that Jews are betrayed, there are frames outside the annex showing a gentile asking an SS officer ‘how much per Jew.’ The officer directs the traitor to an address where a man makes “15 guilders per head,” showing one way Jews were betrayed.

There are passages showing Anne’s fantasies as they get news from their intrepid patron, Miep, about the atrocities happening in German camps. We see Anne peeking through her window to see dirty children playing outside. She wants to reel them in with a fishing rod and scrub them clean, the artwork shows us.

We see Anne’s waking nightmare as rows of Jewish people, some carrying crying children, walk to their deaths in gas chambers.

Anne, as most teenagers do, seethes with rage. She feels wounded by her mother and the other attic occupants. “Everyone thinks I’m showing off when I talk, ridiculous when I’m silent, insolent when I answer, cunning when I have a good idea, lazy when I’m tired, selfish when I eat one more bite than I should, stupid, cowardly calculating . . .” She pretends she’s not bothered, but she’s raging.

Big sister Margot is in control of herself, seemingly docile. It makes you wonder what Margot would say. We’ll never know. She died of typhus alongside Anne in the camp in 1945, shortly before the camps were liberated.

Mr. Dussel, who arrives to the attic annex months after the others, receives goodies from his Christian wife who lives ‘outside.’ Despite the Frank family saving him, he doesn’t share.

These poor trapped crowded beings, struggle with each other’s shortcomings, but together, they feel despair. They are entrapped for two years. As time progresses, guns pop all night. Bombs destroy landmark buildings. Sometimes sirens wail through the nights.

Anne is given valerian tea, an herbal tranquilizer, to sleep. She’s depressed. Of course. And then a break-in of petty criminals in the warehouse below changes everything.

The diary wasn’t just Anne’s personal coping tool, as I’d thought. There had been an announcement that personal accounts of wartime would be published after the war. She dreams of being an author. And what an author she is!

 

Patricia Hruby Powell is the author of the award winning Josephine; Loving vs Virginia; and Struttin’ With Some Barbecue among others         talesforallages.com

Filed Under: Book Reviews Tagged With: Anne Frank, Ari Folman, David Polonsky

“The War Outside” by Monica Hesse

June 2, 2019 By Patricia Hruby Powell Leave a Comment

It’s 1944. World War II is raging across Europe and the Pacific when Margot is taken from Iowa and Haruko from Colorado in “The War Outside” (Little Brown 2018), by Monica Hesse. Now the two teens, each lives with her family in a dusty Texas internment camp for those accused of colluding with the enemy.

German American Margot says, “In the middle of this dust, in the middle of these chaotic arrivals, I feel I am watching a secret.” American families are imprisoned by the U.S. government. What did their parents do? Margot’s father is keeping a secret, clearly, all the while her mother’s health is deteriorating radically. Did her father fraternize with Nazis?

Japanese American Haruko was popular in her Colorado high school. After all, she’s cute and she laughed at the jokes made against Japanese people. Margot goes to the same school as Haruko rather than the German school in Crystal City Internment Camp in order to receive a better education in preparation of her dream to become a scientist.

Each imprisoned family lives in a prefabricated “victory hut,” and the food isn’t bad. The prisoners say, that’s in case the Japanese win the war. The USA wants their prisoners to look well fed. But the Japanese prisoners are fed Chinese rather than Japanese rice—one of many interesting details.

The two girls start meeting in the dark icehouse, sitting on bales of hay. They discuss their families—first tentatively. Then Haruko asks if Margot’s father is a Nazi. No, they just lived in a German farming community—they aren’t Nazis. Her father went to one meeting in Iowa to hear a band and a speaker, as a favor to a friend, just to keep neighborhood peace. Wasn’t that true? Haruko says that she thinks her father is keeping a secret.

Margot says, to survive the camp you must put the experience in a box and keep it there. Tell yourself that you choose to be here, so you have control of the box. Haruko is angry all the time. What did her father do to get them here? He was the one imprisoned but the rest of the family chose to join him.

Haruko’s brother Ken, enlisted as a U.S. soldier, hoping it would help the family cause. When he gets injured he visits his family in the camp. He’s not the same. At the icehouse Haruko cries in Margot’s arms. Their relationship grows more intimate.

Haruko’s father, a hotel manager in Colorado was accused of passing messages to hotel guests. Is he a spy? West Coast Japanese were all evacuated to prison camps, due to their proximity to Japan. West Coast evacuees lost everything whereas Coloradans had the luxury of selling or giving awayt their possessions. Yet, Executive Order 9066 allowed the government to send Americans anywhere—based on the artwork they displayed on their walls or if they practiced martial arts.

There’s so much to learn here. And the girls—is it a crush? Are they in love? One betrays the other. Why? Vulnerability and fear? What is the truth?

 

 

 

Patricia Hruby Powell is the author of the award winning Josephine; Loving vs Virginia; and Struttin’ With Some Barbecue among others         talesforallages.com

Filed Under: Book Reviews

Book Launch Party – Advice and Ideas

May 24, 2019 By Patricia Hruby Powell Leave a Comment

The Book Launch Event

In the same way that we bring our experience to writing, we bring our experience to launching a book. I hope to give you some ideas that might help you launch your baby. The book, of course, helps dictate the party theme. Holiday books are great party inspirers. I know what I’d do if I had a tea party depicted in a book. Dog or cat washing? I’d throw a wet and messy bash. If I happened to have a book about a construction site, I’d throw a site-specific event. We have a massive square mile construction site a couple miles west of town. My hound loves it. Boy children would go nuts. Some girls, too.

TALENT AND COMMUNITY

My book Struttin’ With Some Barbecue: Lil Hardin Armstrong Becomes the First Lady of Jazz (Charlesbridge) will have released December 11, 2018, and is an early jazz story about Lil Hardin Armstrong, Louis Armstrong’s wife and a jazz pianist and composer in her own right. WOW za DOO! I’m throwing a jazz party the very next day—which, praise the heavens, falls before Christmas and Kwanzaa.

For planning your party, consider your talents.

Talent. I know how to do things on a shoestring. Having run a dance company, One Plus One, for many years, I can attest to the fact that Necessity is the Mother of Invention. Necessity has given me an ability for shoestring operation. Shoestring, folks. I’ve got shoestrings. AND there will be dancing!

Next consider your community—both your friends and your town. You know, like character and setting. So, where will your event take place?

WHERE AND WHEN

Is there an attractive bar/restaurant near you that you frequent? Try them out. Go regularly and sit at the bar. Make friends with the management. Perhaps this is easier after you’ve consumed a beer or a pineapple margarita. Do they have music events at least occasionally? That could help you choose the venue. I guess I’m suggesting you start frequenting nearby bar/restaurants. That can be fun. Start in plenty of time, maybe even before you write the book. Unless you’re a really good drinker who can chug down pint after pint in venue after venue.

You might be thinking, Wait, this is a kid’s book. Why launch at a bar? Well, it’s usually adults who buy the books—even young adult book. Having your book launch before a gift-giving holiday is a plus, of course. But that’s the luck of the draw. Your publisher will be deciding when your book releases.

So, the bar part is important (but not essential), because you want your attendees to have the option of drinking. The more people drink, the more generous they become, the more books they buy. Trust me. I know this to be true. And you won’t have to pay for their beverages. Or the food.

And the restaurant part is important. The establishment will love you because you’ll bring in a load of people—perhaps new customers—who will buy food and drink so you shouldn’t have to rent the place. It’s a symbiotic relationship: win/win. This is what you must convince the management of your chosen venue, while drinking that pineapple margarita at the bar.

“My” restaurant/bar makes a menu item to honor my book. For Struttin’ they’ll make a barbecue sandwich. For Loving vs. Virginia they made Brunswick stew which is, apparently, a traditional Virginia down-home dish. At another wine bar, for Josephine I had soul food catered. Through experience I learned, this expense wasn’t required. Find a restaurant/bar that serves food.

MUSIC

Music makes it a party. I want music performed which pertains to my book. This is easy for Struttin’. That would be my husband’s band, Traditional Jazz Orchestra. “Struttin’ With Some Barbecue” is the name of a tune that Lil Hardin Armstrong wrote with Louis Armstrong on their back stoop, and is the name of my book. Yep, I’ve got an advantage, having a jazz musician for a husband, but use your perks. (Maybe you married a massage therapist. That’s a good perk). But I married a musician. So for my previous book, Loving vs. Virginia, I hired a string band led by Robin Kearton, because Mildred Jeter Loving’s father and step brothers played in a “hillbilly” string band. Actually, I didn’t hire the band, I traded my husband talking to them about improvisation—their request. That Morgan Powell, jazz trombonist, is quite a perk.

If you’re not married to a musician, you’ll need to make friends with musicians. That’s on you. And I don’t suggest you ask the band to play for free. It’s important to pay the band members. That is my only real expense—$50 per player, plus I strutted around with a tip jar for another $150 to add to their pay.

I guess you could substitute canned music and make an appropriate play list to be played during the event. But it’s not the same as live music, which actually helps draw a crowd to your event.

BOOK SALES

Ask your local bookstore to sell books so you don’t have to do the sales. I work with Jane Addams Bookstore, which is, primarily a second hand bookstore in downtown Champaign. Because we hope to sell 100 books at that party, they make out. They’ll sell your book at its full amount and you’ll make your complete royalty.

Yes, some people will come with books that they’ve purchased from Amazon and that’s fine. But, if you book your launch party the day after the release date, people probably can’t get your book through the mail in time. Just a thought. And how mine happened to work out. And you can explain to your friends, your students, interested people, that they are supporting the author/illustrator by purchasing your book at its full amount. They don’t want you to starve or anything, so they’ll usually (oftentimes) understand and be willing and excited to pay the publisher’s list price for your book.

PUBLICITY

Chronicle Books gives its authors and illustrators business cards, displaying the image of the book cover. On the backside are the creator’s social media contacts. That’s all you need. Back in the day, Salina Bookshelf made postcards of my books. I made postcards for my first book, Blossom Tales. I’d hand out my Vista Print-made postcard, with a notice of a book event and watch people fold my $.25 card in half and put it in their pocket. Agh. No one has to fold a business card. It fits in pockets, wallets, palms, you-name-it. So I begged Charlesbridge to make me a business card of Struttin’ With Some Barbecue. If they hadn’t, I would have gone to Vista Print to make my own. But I’d have asked my publisher/publicist to design the card (to my specifications), because I don’t even own PhotoShop. But, yep, you could design it on Vista Print too.

So let’s say you have 1000 beautiful business cards with the image of your book on the front. Leave enough room on the back—at least 1 ½” wide by 1” high—where you can affix your specific announcement.

Then go to Staples or some other Office Supply denizen and purchase full-page labels (that is, 8 ½ x 11). Format a page on your computer, using Times New Roman, 8 point font, which is compact and legible. Format 6 columns and margins set at .2. Succinctly designate:

What: Book Launch Party

When:

Where:

Music by:

Book Sales by:

Print, slice lengthwise or whatever direction allows the peeling seam to be accessible. Peel, cut one announcement, affix to back of business card, and repeat. I only do a few at a time so I don’t go nutty. Or nuttier.

I hand them out months ahead of time as I see people who I think might be interested (aka everyone I know or meet who lives locally). This way you get to a whole lot of participants and build excitement for your book birth. I tell anyone who’s interested some pithy detail about the book. For instance:

Lil was Louis were each other’s second marriage.

We named our Tree Walker Hound Lil after Lil Hardin Armstrong.

Lil’s papers, including the first 5 chapters of her autobiography, were stolen from her house at the time of her funeral, which is probably in part why so little is written about her.

Lil’s extended family is owed loads in royalties, but they can’t be found; their names would probably be Hardin or Martin and might live in Tennessee.

Louis remarried a couple times but Lil never remarried.

A month after Louis Armstrong died, Lil collapsed while playing the piano at a commemorative concert in his honor in Chicago; she died shortly after.

I give a stack of the cards to Jane Addams Bookstore, a stack at my body-worker’s waiting room, and wherever people might pick one up. I still won’t use all 1000 cards, so I’ll leave some without the affixed Book Launch invitation and will hand them out whenever I meet people. My husband hands them out, too.

I’ll make a few 8×10 images of the book for a poster announcing the party. I’ll post one each at Jane Addams Bookstore, my public library and the Esquire Lounge where the party will take place.

SOCIAL MEDIA INVITATIONS

About a month before the party, I create a FaceBook Event page and invite all local FaceBook Friends. This has become so easy on FB. Check out “Create” on your home page. It’s so straightforward it nearly does itself.

I also send an e-mail message with the book image to local friends, first as a Save the Date, then a week before. After all, not all your friends are on FB. But if you overlap, I think it’s okay. To receive occasional announcements is a way to help create buzz.

I also send a press release to my local newspaper, the paper for which I review YA books. They’ll definitely list the event. Maybe they’ll even write an article. We’ll see.

What will I do at the event? Tell some anecdotes about Lil, about the research, and read a bit. Then talk to people as I sign books. But mostly the band, the community of people, and the venue provide the entertainment.

Outcome: Some people bought multiple books. Some people didn’t buy books, but just came for the party, which is fine. More than 150 people attended, Jane Addams sold about 90 books. I signed the rest of the books and the bookstore expects to sell those. We created buzz for the book. And the party was extremely fun.

 

First published in The Prairie Wind, the newsletter of the Society of Children’s Book Writers and Illustrators, Illinois. https://illinois.scbwi.org/files/2019/01/PW-Winter-2019-Interactive.pdf

Filed Under: Writing Tips

“Sweep: The Story of a Girl and Her Monster” by Jonathan Auxier

May 12, 2019 By Patricia Hruby Powell Leave a Comment

Nan Sparrow has been a chimney sweep ever since she can remember, in Jonathan Auxier’s “Sweep: The Story of a Girl and Her Monster” (Amulet 2018) set in nineteenth century London. In the beginning, the Sweep was her guide, but he disappeared five years ago. Now twelve, Nan is changing into a young woman while working for Wilkie Crudd, a cruel master with a pack of boy sweeps. They all live together in a coal cellar. The story and writing is reminiscent of Charles Dickens, specifically, Oliver Twist.

Nan is canny and lithe, but that doesn’t keep her from getting stuck in a narrow bending flue where a competitive boy “nudges” her—or shoves her deeper into the flue—when a chimney fire breaks out. Did she die? If not, where could she have escaped to? And who is with her?

The Sweep had given her a fistful of char—soot and ash—which has lived in her pocket these past 5 years. This clump of char begins to awaken and grow. The glob comforts and eventually protects her. It develops legs and arms and can move about. She names him Charlie. He’s sweet, innocent, but is growing larger and becoming frightening, but not to Nan. Nan protects Charlie from ridicule and her own fear. She doesn’t want him to become fearful. With research, she decides he’s a golem. Research also tells her that golems become obsolete—but what does that mean exactly?

Nan and Charlie move into the House with a Hundred Chimneys, which has lain vacant for years. They use an upstairs window as their front door. In fact, they prowl the city along the rooftops, which the reader will find exhilarating—at least this one did. They watch the streets below and stay hidden from the cruel Crudd who is searching for his best sweep, Nan.

Nan and Charlie assign each room with a purpose—the Tantrum Room (lined with cushions), a Dress-Up Room with all the capes and hats left by the previous owners, and the Rubbish Room, which becomes too smelly to use.

Back in the days when they’d roamed the streets together, the Sweep had sung to her, so now Nan sings. She sings to advertise her service—sweeping chimneys. And it’s effective in getting work.

Toby, a street boy and junk seller, is cocky and sweet and clearly fancies Nan. She’s dismissive of him, but the reader is grateful for Toby’s occasional presence in Nan’s hard life. Nan says, “Toby was one of those irritating people who got on with everyone.” Toby notes that Charlie woke up Nan’s heart—which had been pretty hardened.

At times the writing is lyrical, as when the sun comes out and Nan sees the light “erasing the shadows, street by street.” Reading this book is both comfortable and comforting.

The story addresses child labor of the late nineteenth century and the beginning of laws to protect children. The Sweep, Toby, and another friend, Miss Bloom, are all Jewish and the issue of anti-Semitism is an important thread running through the story. Together, Nan and Charlie, experience wonder, love, and grief—in spite of having no mother.

And on this Mother’s Day, I’m so grateful to the mother I had. Happy Mother’s Day, Mama.

 

Patricia Hruby Powell is the author of the award winning Josephine; Loving vs Virginia; and Struttin’ With Some Barbecue among others         talesforallages.com

Filed Under: Book Reviews

“The Chaos of the Stars” by Kiersten White

April 24, 2019 By Patricia Hruby Powell Leave a Comment

This is a guest post written by Megan Sutton

Things aren’t easy when you’re the daughter of ancient Egyptian deities. No one knows that better than Isadora, who is the mortal offspring of Isis, the goddess of magic and wisdom, and Osiris, the god of the dead and ruler of the underworld. The Chaos of Stars traces her steps as she runs off to California in the hopes of escaping their clutches and living a separate life, but she soon realizes that her connection to her parents is much more complicated than mere geography. Dark, terrifying dreams haunt her at night and they’re dangerous enough to kill a god.

Here, author Kiersten White puts a spin on family drama with Egyptian mythology. Other than having immortals for parents, Isadora leads a typical life. She makes friends with interesting fellows like energetic Tyler and the Greek boy Ry, and her days in California are an odd mix of interior design and worshipping god. Although she may resent her parents, she still plans to build a museum dedicated to them someday. It’s confusing, but totally understandable.

Isadora’s feelings, as White relays them, are relatable. She thinks her parents never truly loved her, especially since they made her mortal while the rest of her relatives get to live forever. The grudge grows as soon as she finds out about her mother’s pregnancy. Isadora also has a difficult time with love, like most people her age do. Her witty charm and sarcastic views of the world makes for a delightful read, but sometimes come off as a little too self-absorbed.

All in all, fans of White and her work will understand that her fascination with ancient Egypt runs deep; the first book she ever wrote was set in Egypt. White has said many times that Egyptian mythology is blunt and straightforward, and its family feuds are even more complicated than that of Greek myths — which is delightfully reflected in her printed work.

But the effect of this deep respect and reference to the ancient is that it encourages readers to explore well-known deities and characters in a new light. After all, Egyptian mythological icons have survived generations and become an interesting part of modern pop culture, so much so that both Isis and Osiris are familiar names, regardless of how well versed people are about the lore. For one, they both appear as characters in the 2016 film Gods of Egypt. In the well-known video game Assassin’s Creed: Origins, which is also set in ancient Egypt, both Isis and Osiris are referenced numerous times. On a smaller scale, they are featured in Egyptian-themed games on online portal Slingo. Titles like Temple of Iris, Pyramid: Quest for Immortality, and Crown of Egypt feature the deities’ common images so that players can recognize them immediately. And although not everyone is familiar with Egyptian mythology that doesn’t mean that Chaos of the Stars isn’t for everyone – as it is. It is an enthralling read that doesn’t solely focus on in-depth knowledge about the ancient Egyptian gods.

So, while the book certainly leans on Egyptian mythology, the narrative focuses less on the details of the lore in favor of highlighting common family issues. This may be a disappointment for readers who picked up the book to expand their understanding of Egyptian gods. But if you do enjoy it, it’s important to understand that White has written books with similar fantastical themes. Her latest novel, Slayer, is a story set in Joss Whedon’s Buffy the Vampire Slayer universe. She is also author of the Paranormalcy trilogy, a highly acclaimed series that landed on the New York Times best-seller list.

For more book reviews, feel free to explore Tales for All Ages.

 

Filed Under: Book Reviews

“Pride” by Ibi Zoboi

April 21, 2019 By Patricia Hruby Powell Leave a Comment

“Pride” (Balzer & Bray 2018) by Ibi Zoboi is a remake of “Pride and Prejudice.” If you’ve read Jane Austen’s masterpiece, this is, in part, a fun puzzle. How will Zoboi—a National Book Award Finalist of 2018 for her work “American Street”—translate 19th Century white mores to the hood? And who is who?

Austen’s heroine Elizabeth Bennet becomes Zuri Benitez, one of the five Benitez sisters whose parents are Haitian and Domincan-American. So we get Haitian santoria culture as well as Hispanic flavors and foods. Mrs. Benitez isn’t as ditzy as Mrs. Bennet, although she does love the culture of gossip and matchmaking for her daughters. She has charisma that Mrs. Bennet lacks, and throws block parties in Bushwick that are renowned in their section of fast-gentrifying Brooklyn.

So not only does Zuri feel pride in her culture and her Bushwick neighborhood we have the theme of being driven out of one’s neighborhood by gentrification—due to soaring real estate costs. The rich African-American Darcy family moves in across the street to a luxuriously renovated mansion helping to drive up the price of property.

Zuri detests Darius Darcy for this as well as for his snobbery. Darius’s older brother Ainsley (yep, you got it, Misters Darcy and Bingley are brothers in Zoboi’s version) falls for Janai Benitez, Zuri’s older sweet and lovely sister.

Kayla and Layla Benitez are the boy crazy younger twins whose gossipy prattle includes speculation of who is “digging pockets” or gold-digging. Darius overhears, misunderstands, and alerts Ainsley who backs off from poor heart-broken Janae.

Mr. Benitez is less long-suffering and more heroic than Mr. Bennet, in raising his five daughters. And yep, there’s a Colin, but nowhere near as colorful as the despicable Mr. Collins. He’s present nevertheless.

What about the scandal? And the villain? Warren is a poor smart black kid from the hood who won a scholarship to attend Darius’ spiffy Manhattan private school. Warren speaks Zuri’s language, has the right swag, likes the right music, and shares her “ghetto” experience. So she falls for him and despises Darius for not backing up Warren—until she finds Warren compromising the reputation of her thirteen-year-old sister Kayla at a party.

It all comes clear for Zuri with the help of Darius Darcy. We we cheer for her and her aspiration to attend the traditional black Howard University outside of Washington DC.

This is such a fun and informative read! Rural and white readers can learn a lot about urban African American culture. I’d have called “Pride” a resurrection if I thought that “Pride and Prejudice” were dead. But for some young readers “Pride” might indeed be a resurrection.

 

Patricia Hruby Powell is the author of the award winning books: Struttin’ With Some Barbeuce; Josephine; and Loving vs Virginia. She teaches a community class in writing at Parkland College. talesforallages.com

Filed Under: Book Reviews

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  • “Being Toffee” by Sarah Crossan
  • “Clap When You Land” by Elizabeth Acevedo
  • “Stamped: Racism, Antiracism, and You” by Jason Reynolds and Ibram X. Kendi
  • “The Great Nijinsky: God of Dance” by Lynn Curlee
  • “Dig” by A.S. King
  • “Where the World Ends” by Geraldine McCaughrean
  • “Degenerates” by J. Albert Mann
  • “Lovely War” by Julie Berry
  • “Brave Face: A Memoir: How I Survived Growing Up, Coming out, and Depression” by Shaun David Hutchinson
  • “Thirteen Doorways, Wolves Behind Them All” by Laura Ruby
  • “1919: The Year That Changed America” by Martin W. Sandler”
  • “Fountains of Silence” by Ruta Sepetys
  • “Blood Water Paint” by Joy McCullough
  • “Falling Over Sideways” by Jordan Sonnenblick
  • “The Downstairs Girl” by Stacey Lee
  • “Darius the Great is Not Okay” by Adib Khorram
  • “A Heart in a Body in the World” by Deb Caletti
  • “Stepsister” by Jennifer Donnelly
  • “A Few Red Drops: The Chicago Race Riot of 1919” by Claire Hartfield
  • “Anne Frank’s Diary: The Graphic Adaptation” retold by Ari Folman and illustrated by David Polonsky
  • “The War Outside” by Monica Hesse
  • “Sweep: The Story of a Girl and Her Monster” by Jonathan Auxier
  • “The Chaos of the Stars” by Kiersten White
  • “Pride” by Ibi Zoboi
  • “Boots on the Ground: America’s War in Vietnam” by Elizabeth Partridge
  • “Hey, Kiddo” by Jarrett J. Korosoczka
  • “The Truth As Told By Mason Buttle” by Leslie Connor
  • “Poet X” by Elizabeth Acevedo
  • “The Journey of Little Charlie” by Christopher Paul Curtis
  • “How to be a Good Creature: A Memoir in Thirteen Animals” by Sy Montgomery
  • “The House in Poplar Wood” by K.E. Ormsbee
  • “All That I Can Fix” by Crystal Chan
  • Wiki: “9 Wonderful Historical Novels for Young Readers”
  • “Hiding” by Henry Turner
  • “Price of Duty” by Todd Strasser
  • “We Are All That’s Left” by Carro Arcos
  • “Moonrise” by Sarah Crossan
  • “Orphan Monster Spy” by Matt Killeen
  • “Brazen: Rebel Ladies Who Rocked the World” by Pénélope Baglieu
  • “We Are Okay” by Nina LaCour
  • “The 57 Bus: A True Story of Two Teenagers and the Crime that Changed Their Lives” by Dashka Slater
  • “I Have Lost My Way” by Gayle Forman
  • “Turtles All the Way Down” by John Green
  • “Bull” by David Elliott
  • “Gem & Dixie” by Sara Zarr
  • “One of Us Is Lying” by Karen M. McManus
  • “Spinning” by Tillie Walden
  • “Long Way Down” by Jason Reynolds
  • “I Believe in a Thing Called Love” by Maurene Goo
  • “Far From the Tree” by Robin Benway
  • “What Girls Are Made Of” by Elana K. Arnold
  • “You Bring the Distant Near” by Mitali Perkins
  • “American Street” by Ibi Zoboi
  • “Genuine Fraud” by E. Lockhart
  • “Forest World” by Margarita Engle
  • “If I Was Your Girl” by Meredith Russo
  • “Vincent and Theo: The Van Gogh Brothers” by Deborah Heiligman
  • “The Bitter Side of Sweet” by Tara Sullivan
  • “Exit, Pursued by a Bear” by E.K. Johnston
  • “Girl Rising: Changing the World One Girl at a Time” by Tanya Lee Stone
  • “The Hate U Give” by Angie Thomas
  • “Dreamland Burning” by Jennifer Latham
  • “A List of Cages” by Robin Roe
  • “The Sun is Also a Star” by Nicola Yoon
  • “The Passion of Dolssa” by Julie Berry
  • “March: Book Three” by John Lewis, Andrew Aydin, Nate Powell
  • “Ghost” by Jason Reynolds
  • Second Loving vs. Virginia Giveaway – Thanksgiving
  • “Dare to Disappoint: Growing Up in Turkey” by Özge Samanci
  • Research for Loving vs. Virginia: a documentary novel
  • “Presenting Buffalo Bill: The Man Who Invented the Wild West” by Candace Fleming
  • First “Loving vs. Virginia” Give Away Winner
  • “Another Brooklyn” by Jacqueline Woodson
  • Why I wrote Loving vs. Virginia – Book Give Away
  • Graphic Novels: “Child Soldier,” “Roller Girl,” “Baba Yaga’s Assistant”
  • “The Lie Tree” by Frances Hardenge
  • “Most Dangerous: Daniel Ellsberg and the Secret History of the Vietnam War” by Steve Sheinkin
  • “Flannery” by Lisa Moore
  • “The Incident on the Bridge” by Laura McNeal
  • “Anna and the Swallow Man” by Gavriel Savit
  • “Ghosts of Heaven” by Marcus Sedgwick
  • “The Boys in the Boat” by Daniel James Brown
  • “Salt to the Sea” by Ruta Sepetys
  • “The Tightrope Walkers” by David Almond
  • “The Hired Girl” by Laura Amy Schlitz
  • “These Shallow Graves” by Jennifer Donnelly
  • “Don’t Fail Me Now” by Una LaMarche
  • “Under a Painted Sky” by Stacey Lee
  • “Last Leaves Falling” by Sarah Benwell
  • “Audacity” by Melanie Crowder
  • “The Boys Who Challenged Hitler” by Phillip Hoose
  • “Drowned City: Hurricane Katrina & New Orleans” by Don Brown
  • “Bone Gap” by Laura Ruby
  • “The Game of Love and Death” by Martha Brockenbrough
  • “Spinster: Making a Life of One’s Own” by Kate Bolick
  • “How I Discovered Poetry” by Marilyn Nelson
  • “The Rebellion of Miss Lucy Ann Lobdell by William Klaber
  • “How it Went Down” by Kekla Magoon
  • “A Time to Dance” by Padma Venkatraman
  • “All the Light We Cannot See” by Anthony Doer
  • “Taking Flight: From War Orphan to Star Ballerina” by Michaela DePrince
  • “Egg and Spoon” by Gregory Maguire
  • “This One Summer” by Jillian Tamaki and Mariko Tamaki
  • “The Unfinished Life of Addison Stone” by Adele Griffin
  • “I’ll Give You the Sun” by Jandy Nelson
  • “Brown Girl Dreaming” by Jacqueline Woodson
  • “Blood Guard” by Carter Roy
  • “Going Over” by Beth Kephart
  • “Lena Finkle’s Magic Barrel” by Anya Ulinich
  • “Josephine” Recorded Books, read by Lizan Mitchell SLJ starred review
  • “The Family Romanov: Murder, Rebellion & the Fall of Imperial Russia” by Candace Fleming
  • “The Port Chicago 50: Disaster, Mutiny, and the Fight for Civil Rights” by Steve Sheinkin
  • What How and Why do You Write?
  • “West of the Moon” by Margi Preus
  • “We Were Liars” by E. Lockhart
  • “Pure Grit: How American World War II Nurses Survived Battle and Prison Camp in the Pacific” by Mary Cronk Farrell
  • “All the Truth That’s In Me” by Julie Berry
  • Imprisoned: The Betrayal of Japanese Americans During World War II by Martin W. Sandler
  • “Love in the Time of Global Warming” by Francesca Lia Block
  • “The Nazi Hunters: How a Team of Spies and Survivors Captured the World’s Most Notorious Nazi” by Neal Bascomb
  • “The Weight of Water” by Sarah Crossan
  • “Fallout” by Todd Strasser (Candlewick 2013)
  • “Josephine” gets starred reviews from SLJ and Shelf Awareness
  • “March” by John Lewis, Andrew Aydin and Nate Powell
  • “Winger” by Andrew Smith
  • “The True Blue Scouts of Sugar Man Swamp” by Kathi Appelt
  • “Salt: A Story of Friendship in a Time of War” by Helen Frost
  • “Temple Grandin: How The Girl Who Loved Cows Embraced Autism and Changed the World” by Sy Montgomery
  • Rump: The True Story of Rumpelstiltskin by Liesl Shurtliff
  • “Paperboy” by Vince Vawter
  • Moonbird: A Year on the Wind with the Great Survivor B95 by Phillip Hoose
  • “One Came Home” by Amy Timberlake
  • “Titanic: Voices of the Disaster” by Deborah Hopkinson
  • “The Abandoned” by Paul Gallico
  • “Look Up! Bird-Watching in Your Own Backyard” by Annette LeBlanc Cate
  • “Best Friends Forever: A World War II Scrapbook” by Beverly Patt
  • “Lulu and the Duck in the Park” by Hilary McKay
  • “Navigating Early” by Clare Vanderpool
  • “Little White Duck: A Childhood in China” by Na Liu and Andrés Vera Martinez
  • “Wonder” by R.J. Palacio
  • “Liar and Spy” by Rebecca Stead
  • “The One and Only Ivan” by Katherine Applegate
  • “Bluefish” by Pat Schmatz
  • “The Dogs of Winter” by Bobbie Pyron
  • “Outside Your Window: A First Book of Nature” by Nicola Davies; illustrated by Mark Hearld
  • “A Dog’s Way Home” by Bobbie Pyron
  • “No Shelter Here: Making the World a Kinder Place for Dogs” by Rob Laidlaw
  • “About Average” by Andrew Clements
  • “Kindred Souls” by Patricia MacLachlan and “The Friendship Doll” by Kirby Larson
  • “Unseen Guest” by Maryrose Woods
  • “Countdown” by Deborah Wiles, a documentary novel
  • “Letters to Leo” by Amy Hest and “Bless This Mouse” by Lois Lowry
  • “Jefferson’s Sons: A Founding Father’s Secret Children” by Kimberly Brubaker Bradley
  • “Witches: The Absolutely True Tale of Disaster in Salem” by Rosalyn Schanzer
  • “Wonderstruck” by Brian Selznick
  • “Amelia Lost: The Life and Disappearance of Amelia Earhart,” by Candace Fleming
  • “Waiting for Magic” Patricia MacLachlan & “Saint Louis Armstrong Beach” Brenda Wood
  • Midnight Zoo by Sonya Hartnett
  • “Around the World” by Matt Phelan
  • Inside Out and Back Again by Thanhha Lai
  • “City of Orphans” by Avi
  • “How to Survive Middle School” by Donna Gephart
  • All the World’s a Stage: A Novel in Five Acts by Gretchen Woelfle
  • Dark Emperor & Other Poems of the Night by Joyce Sidman
  • “One Crazy Summer” by Rita Williams-Garcia
  • Heart of a Samurai (Newbery Honor) & The Secret World of Whales
  • Newbery 2011 – Moon Over Manifest & Turtle in Paradise
  • Words in the Dust by Trent Reedy
  • First Chapter Books–Some Really Good Ones
  • Cuba Books & interview with Antonio Sacre
  • The Incorrigible Children of Ashton Place – by Maryrose Wood – Books One and Two
  • Storyteller by Patricia Reilly Giff (Wendy Lamb Books 2010)

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