I’d never seen a graphic novel like “Song of a Blackbird” (First Second 2025) by Maria van Lieshout, which is the recipient of the prestigious Printz Honor and
Long Listed for the
National Book Award. It is visually and conceptually unique.
With only green, orange, black, and spots of red, it is a work of art. Archival photos of the key buildings of wartime Amsterdam (1940-1946) form the setting, sometimes in quartertones and sometimes in full resolution. We follow the small red coat of a young woman as she cycles through the city.
The closest thing to a present layer is 2011, where Annick tries to piece together what she knows about her aged grandmother, or Oma, who is dying of leukemia in Amsterdam.
The author/illustrator focuses on Netherlands resistance fighters during WWII as one layer. They attend a teacher’s college next door to where the Nazis hold Jewish families before sending them to camps. Across the street is the Nazi stronghold. When the tram stops in front of the of the holding building, there are a few moments when the view is blocked from the Nazis. This is when the young adult students take the children and hide them, keeping them from being sent to death camps with their parents.
Each chapter is headed by a drawing to look like a lithograph of an Amsterdam building. There is a run of only 3 prints and each is signed by Emma B.
At some point the reader realizes that the story is being narrated by a blackbird—a spirit of a blackbird, who spans wartime and present.
While in the wartime layer we begin to learn a history of the Nazi occupation of Amsterdam.
It is not until near the end of the book that we realize that the red-coated cycler is Emma B, a resistance worker, who has become a print maker along with her resistance colleagues in order to forge papers to help Jews and resistance fighters escape. Many of the colleagues of the red-coated figure, Emma, are assassinated by Nazis.
Annick in the 2011 story, shows Koenji, a street artist, the photos of prints of buildings and they begin to piece together the mystery.
Emma must find safe homes for a young Jewish brother and sister. Josefina is blond and a young Christian family adopts her. It’s much harder to find safe places for Jewish boys because they are circumcised, at a time when the Christian population was not. Jewish boys’ identities are discoverable. But Josefina’s new family will allow the boy to hide in a vault until Emma can get him to the church of Father Theo.
In a completely non-linear way, we discover what each of the buildings is and who the main characters are, by the end of this remarkable story.
In the extensive graphic backmatter we learn which characters are historic and which are invented for the story. Don’t miss this book!
Patricia Hruby Powell is the author of the award-winning books: Josephine; Lift As You Climb; Loving vs Virginia; and Struttin’ With Some Barbecue all signed and for sale at Jane Addams bookstore. Her forthcoming books are about women’s suffrage, Martha Graham, and Ella Fitzgerald, waterfowl, as well as a paperback version of Loving vs. Viriginia releasing in 2027. talesforallages.com




