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“Brown Girl Dreaming” (Paulsen/Penguin 2014) is Jacqueline Woodson’s memoir about growing up in a loving, but broken family, in the midst of the Civil Rights Movement. Written in accessible vivid verse, and a National Book Award Finalist—we’ll find out tomorrow, November 17, whether it wins. It should.

To set the time frame, the March on Washington took place in August 1963 the year of Woodson’s birth. LBJ signed the Civil Rights Act in 1964. Jacqueline is born in Ohio to a southern mother and a northern father whose grandparents were free men during slave times. The Woodsons were doctors, lawyers, and teachers.

He refuses to visit his wife’s family—the Irbys—in Greenville, SC, saying, “Told her there’s never gonna be a Woodson/ that sits in the back of the bus./ Never gonna be a Woodson that has to/ Yes sir and No sir white people./ Never gonna be a Woodson made to look down/ at the ground.”

So Mama takes her three young children south. Their father shows up, apologizes, but the marriage breaks up soon after. The three children go live with their Irby family in Nicholtown—the black community of segregated Greenville—filled with the scent of pine, honeysuckle and slow days.

Jacqueline is the youngest and not yet one year old. Readers can refer to the Woodson-Irby family tree—their birth and death dates—at the front of the book and handsome family snapshots in the back.

In Nicholtown, Gunnar Irby, Mama’s Daddy, becomes “Daddy” to Jacqueline because that’s what Mama calls him. And he fills the role.

Mama takes off for New York to start a new life. She’ll send for the children as soon as she can. In New York, Jacqueline’s younger brother, Roman, is born.

Jacqueline is not as good a student as her big sister Odella, but she loves words. She knows she wants to write. She adores “Daddy,” her grandfather who sings as he walks the dusty road home from work. After he dies, Grandmother says, “I watch you with your friends and see him all over again.”

Jacqueline Woodson is true to her youthful self and to young reader. She writes, “Sometimes, I don’t know the words for things,/ how to write down the feeling of knowing/ that every dying person leaves something behind.”

The children move to New York, but the grace of the south lives within them. They are urban and country and feel out of place in both places.

As Jacqueline grows up, she refers to song lyrics and MoTown artists. She riffs on Love Train/Soul Train. Her mama loves James Brown. Her Uncle Robert is too wild and pays for it in prison. Jacqueline sees Angela Davis on TV saying “Power to the people.” The Black Panthers are feeding breakfasts to black children out in Los Angeles. You feel the excitement first hand.

I want to quote this whole book so you know its beauty. It’s probably better to buy it or get it from the library.

 

 

Patricia Hruby Powell’s book Josephine: The Dazzling Life of Josephine Baker won a Boston Globe Horn Book 2014 Honor for Nonfiction and a Parents Choice Gold Award for Poetry.

 

 

Overview: Young Adult—a.k.a. YA or Teen—Literature is designed for, let’s say, twelve to eighteen year old readers. But it’s catching on with all-aged readers. Certain books hover between Young Adult/Teen and Juvenile so that libraries will hold copies in both departments.

Such is “Blood Guard” by Carter Roy (Amazon 2014). At the onset, Evelyn Ronan Truelove fevered, wearing pajamas, inches along the ledge of his Brooklyn brownstone after his house has mysteriously caught fire. He tells us his mother keeps him busy taking classes in gymnastics, fencing, archery—every kind of lesson available, it seems. For a boy named Evelyn, it’s not surprising that a bully “with fists the size of cantaloupes” nearly gets him. These classes seem like a good idea. And it’s time people started calling him Ronan.

Post fire, the family moves to Stanhope, PA and the next thing we know there’s a high speed car chase, his mother driving him down the concrete steps of a city park, quite adeptly. Strangely robotic men in suits are chasing them. His mother tells him his dweeby father is missing, lets Ronan off near a train station with a train ticket to Washington DC and says that someone in the Blood Guard—a group of good guys of which she is part—will help him there. And “trust no one.” All this is news to twelve year old Ronan.

Ronan is met by a skinny Brit pickpocket, Jack Dawkins—oh yes, isn’t that the name of the Artful Dodger in Dickens’ “Oliver Twist”? Dawkins explains that the Pures, a handful of truly good people—keep the good of civilization in balance. He says, “The Pure can’t know what they are because it would change who they are.” What a great line. And concept.

The book is straight ahead action as meek Ronan and the good Blood Guard fight the evil Bend Sinister, which should engage boy readers. The theme of good versus evil is not new, but this is well written and alternately hilarious and exciting, could catch some reluctant readers with its cast of terrific characters—spunky Greta, foster child Sammy, even the villains are grand. Or listen to it read by Nick Podehl (Brilliance 2013) with nuance and subtlety. What a treat!

 

Patricia Hruby Powell’s new book Josephine: The Dazzling Life of Josephine Baker won a Boston Globe Horn Book 2014 Honor for Nonfiction and a Parents Choice Gold Award for Poetry.

The Berlin Wall constructed in 1961 divided East Berlin (a socialist state) from West Berlin (a federal republic) and did not come down until 1989. For those 28 years the Wall and its towers and armed guards prevented the mass defection from the communist East Bloc to the free west during the cold war. Families, friends, and lovers were split apart.

Beth Kephart, in her new novel, “Going Over” (Chronicle 2014) describes the divide: “There is a line between us, a wall. It is wide as a river; it has teeth. It is barbed and trenched and tripped and lit and piped and meshed and bricked—155 kilometers of wrong.”

One hundred people (a disputed number) who attempted to escape East Berlin were killed by East Bloc guards—shot down in the no-man’s zone between east and west.

Ada, 15, is a graffiti artist squatting with her broken mother, Mutti, and grandmother, Omi, in a small damp flat in free West Berlin while Stefan lives with his grandmother, grossmutter, in depressed gray East Berlin. Ada has visited East Berlin four times a year since she was little with Omi who is best friends with Stefan’s grandmother. At twelve years old Ada fell in love with Stefan, 14.

Stefan’s mother was stranded in the West when the wall went up. She never looked back. When Stefan was still quite young, his grandfather attempted escape to find his daughter and was never seen again. The Stassi—secret police—sent grossmutter an empty coffin. But his grandfather gave Stefan a telescope and hope before he’d left.

Ada works at a pre-school, caring for Turkish children, whose families the Germans have brought in as cheap labor. At night Ada graphs at the edge of the no-man zone, risking her life, making art and sending messages to Stefan that he cannot even view with his telescope. Pink-haired headstrong Ada, who can visit the East and return west to a limited degree loves Stefan but says she will not wait forever. She urges him to escape. Stefan loves bright rebellious Ada, but he fears being shot.

            A subplot involving Ada’s favorite Turkish pre-schooler, Savas, and his abused mother brings out an aspect of the story of Berlin of which I knew nothing. In fact I’ve read no other fiction involving this dramatic historic era and place. The relationship of the grandmothers gives us a view of young adults in war time Berlin, countering the punk history of the two protagonists.

The end matter includes diverse references for further study. Kephart, a former National Book Award Finalist, writes in heavily figurative language—almost always alluring—in this book about freedom and love.

 

Patricia Hruby Powell’s new book Josephine: The Dazzling Life of Josephine Baker won a Boston Globe Horn Book 2014 Honor for Nonfiction and a Parents Choice Gold Award for Poetry.

Anya Ulinich’s “Lena Finkle’s Magic Barrel” (Penguin 2014), a graphic novel for adults will also be popular with young adults. The story of Lena, a 17 year old Russian immigrant moving with her parents to Arizona in the 80s, appears to be Ulinich’s thinly disguised memoir.

The “magic barrel” seems to be the burden of her lovers, the first being her Russian high school sweetheart Alik, who she loves “thanks to his Heathcliff schtick.” At 35, Lena is on a book tour to Russia (so was Ulinich). Alik shows up and the miniature “immigrant soul” appears and says. “Oh-Oh. The brain area that reacts to sad Russian men has been activated.” Alik, in spite of now being married to a Russian woman, suggests that he and Lena grow old together. She tells him it’s against the law in the U.S. to be old. At 35?

Ulinich gives a view of American culture seen through immigrant eyes. It is often hilarious as well as eye-opening.

With a good deal of flashback to her Russian upbringing, she informs us about the sad state of sex education during perestroika or “restructuring”—the Gorbachev years. Which sets us up for Lena’s two disastrous marriages stateside.

Upon arrival to Phoenix, Arizona, the synagogue “supports” the family by giving them “Jew Bags”—Lena’s includes size 11 green sneakers and Sylvia Plath’s “The Bell Jar”. The whole family is in effect indentured servants to U.S. families. Lena meets Chance who says, “So you’re Russian?” and she corrects him. “I’m from Russia. I’m a Jew.” She tells us only Soviets understand that. And it clarifies that cultural schism for me.

Chance calls her Anne Frank, teaches her about American culture, ridicules her, and asks why she won’t sleep with him. Answer: Because she’s serious about her virginity. No sex until she marries. So she marries Chance, gets a green card, and says “I have narrowly escaped becoming a Hasidic Wife, but that other woman whoever she is, dying of emphysema in a trailer park forty years from now—she is not me either.” They divorce.

Lena attends Arizona State and meets Josh. The complex Venn diagram and Relationship Map, showing how they’re meant for each other is hysterical. They marry have two girls and divorce (as does Ulinich). At this point Lena begins on-line dating, offers insightful, dark, funny opinions on the “gender war.” How can anyone be so honest in print (and drawing). She self-deprecates, showing herself as hideous, but she gets pretty. She loses and gains weight (in the drawings) without saying much about it.

There’s sex—not graphic or sensationalized—but honest. Even if a teen reader is (probably) not married, their parents might be and there are some fascinating insights into that institution. And love. And heartbreak. The drawings are frequently remarkable paintings. I love this book for many ages.

 

Patricia Hruby Powell’s new book Josephine: The Dazzling Life of Josephine Baker won a Boston Globe Horn Book 2014 Honor for Nonfiction and a Parents Choice Gold Award for Poetry.

Candace Fleming’s “The Family Romanov: Murder, Rebellion & the Fall of Imperial Russia” (Schwartz & Wade 2014) centers on the imperial family, telling the complex Russian history through the eyes of both nobility and peasantry.

In 1903 Russian nobility represented only 1.5 percent of the population, but owned 90 percent of all Russia’s wealth. At the top of power pyramid, Tsar Nicholas II owned thirty palaces, estates in Finland, Poland, the Crimea, millions of acres of farmland, gold and silver mines, two private trains, artwork, five yachts, and jewels beyond belief. His income came from the taxation of his subjects.

Nicolas’ father, Tsar Alexander III, a bear of a man, scorned his son as a dunce and gave him no training for his future job, which would include ruling 130 million subjects on 1/6 the planet’s land surface in 34 provinces, choosing governors for each, and passing laws. Nicholas would be hiring and firing statesmen on a whim with “…flatterers telling him what he wanted rather than needed to hear.”

Before coming to power Nicholas married German princess, Alexandra. The two would have liked nothing better than to be left alone to raise their family. But rather than abdicate, the autocrat and his growing family, retreated to the country where Nicholas lost touch with Russia. Tsarina Alexandra, to the dismay of all Russians, took over a great deal of power. The two were utterly clueless to the plight of the peasants.

In interspersed chapters we hear the story of individual peasants whose major accomplishment was survival. They lived in filth, close quarters, were starving, oftentimes under the abuse of an otherwise powerless despotic peasant father.

Back at the country palace, Alexandra bore four girls—Olga, Tatiana, Maria, Anastasia—much to the chagrin of the people who needed a male heir to the throne. Finally a hemophiliac heir, Alexei, was born. He had two sailor nannies, whose job it was to catch him before he fell, bruised, and writhed in unimaginable agony for days, weeks, even months. There is still no cure for the disease. Alexandra knew she was a carrier, adored her children—especially her son—and was tortured by her son’s condition.

The famed Rasputin, a charlatan of a holy man, was the spiritual support of the royal couple. Several times the boy recovered just when Rasputin stepped in. Had the injury just run its course? The royal couple felt Rasputin had a direct link to God. After a brief period of popularity, Rasputin—detested by the Russians—was eventually assassinated.

Fleming makes sense of a chaotic history, taking us through Russia’s entry into WWI, Russia’s civil war, the rise of the Provisional Government, then the rise of the Bolsheviks and communism. In the end she walks us through the horrific execution of the Family Romanov—that which many of us may only have known through the confused eyes of Anastasia played by Ingrid Bergman in the 1956 film Anastasia.

What a page-turning, ambitious, well-written history Fleming has given us!

 

Patricia Hruby Powell’s new book Josephine: The Dazzling Life of Josephine Baker won a Boston Globe Horn Book 2014 Honor for Nonfiction and a Parents Choice Gold Award for Poetry.