“Vincent and Theo: The Van Gogh Brothers” by Deborah Heiligman

People—maybe young adults in particular—are inherently fascinated with relationship. Which makes Deborah Heiligman’s choice of subject so compelling even before you start reading “Vincent and Theo: The Van Gogh Brothers” (Holt 2017).

The Van Gogh brothers from the Netherlands come from a strong family, where the parents coddle their children in a way that looks familiar in middle class society nowadays. The senior Van Goghs are proud of their younger son Theo who has become a successful art dealer. They look askance at Vincent who first is an atheist, then an evangelical preacher, then vagabond, in search of a life path.

Theo financially and emotionally supports his older brother, then champions him as a late blooming artist. The brothers left 658 letters behind, showing their profound love, their fights, their reconciliations—their paths together and apart. Vincent is particularly eloquent. Once he starts making art, he says, “I keep on making what I can’t do yet in order to learn to be able to do it.”

Heiligman uses elements of art as metaphors for the relationship. She writes, “Sometimes in a painting, negative space is intentional; sometimes it is an accident of composition. Empty space can create a meaningful image, or it can just be empty . . .” when she describes Vincent’s “darkness and despair”—his longing for his younger brother Theo.

We know more about Vincent as a child than Theo, for whom we only have a rare glimpse. Heiligman creates these glimpses, then likens each to a “croquis”—or a quick sketch in the making of a larger piece—a study of the arm throwing a ball, another for the hand grasping a fishing pole. These studies are used to build the full picture. Theo is the good boy, the middle child to Vincent’s tumultuous behavior as a bad boy. Maybe Theo’s eventual depression started in his childhood. Maybe he shouldn’t have been ignored.

Vincent has a particularly difficult time with perspective in his drawings. He uses a perspective frame, crisscrossed with strings to view a scene of field and windmill in order to observe the size and placement of people, windmills, clouds. “The view depends on the perspective.” How does Vincent’s life look from Theo’s perspective?

Theo works in an art gallery, selling conventional art to wealthy individuals. Vincent is still developing his art which is not only unconventional but not ready to be sold. But Theo knows that Vincent is working toward greatness.

It is difficult for Theo to live with Vincent in Paris, but “Vincent brings to Theo social and intellectual stimulation—and that family connection . . . For Vincent, living with Theo is necessary.”

The small color reproductions and the larger black and white drawings help the reader understand this eloquent story. I’m not sure why it is marketed as young adult. Every artist, art enthusiast, every person interested in relationship should read it. Is that everyone?


Patricia Hruby Powell is author of the young adult documentary novel Loving vs. Virginia and Josephine: The Dazzling Life of Josephine Baker. talesforallages.com


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“The Bitter Side of Sweet” by Tara Sullivan

Ever wonder where your chocolate comes from? Cocoa, Hersey bars, brownie mix—you name it—chocolate. I wasn’t sure why I was buying “fair trade” chocolate. That changed when I read Tara Sullivan’s young adult novel “The Bitter Side of Sweet” (Putnam 2017).

Fifteen-year-old Amadou chops cacao pods alongside his eight-year-old brother, Seydou, in Ivory Coast. The two are from Mali, where boys leave home, due to severe drought, and work elsewhere, to send money home to their families. But these boys have been kidnapped and forced to work alongside other slave boys, being told that they can earn back the price of their keep and be freed. However, they’ve been working there two years already, and no freedom is in sight.

The boys are beaten if they don’t make their daily quota, and they frequently don’t, because Amadou is chopping for himself and his little brother all the while working to protect his little brother from getting injured from swinging machetes. Amadou takes Seydou’s beatings, so he’s kind of a mess. He obsessively counts his pods to make quota and to forget the pain. Counting. Counting.

Then a girl around Amadou’s age, Khadija, arrives—the first girl the boys have seen in two years. The “wildcat” attempts escape over and over. She tricks Seydou into untying her. She runs, is apprehended and Amadou takes Seydou’s punishment. Amadou and Khadija are locked in the herbicide shed after being beaten.

So Amadou is not out in the forest chopping and protecting Seydou. The first day Seydou is successful in making quota, but the second day on his own, a terrible accident occurs. In the meantime Khadija has been raped by the managers who aren’t terribly much older than Amadou. The word “rape” is never used, so the younger reader might be protected from that particular violence, but a savvier reader will understand what happened.

The managers, particularly Moussa, might be sympathetic. We can’t quite tell. It turns out he’s in a hard position, too, trying to make his farm quota, and he seems to have bought into the desperate system. Eventually, Amadou uses the herbicide in an act of heroism, and we follow the escape or Khadija, Amadou, and the severely injured Seydou.

Along the way you learn the cacao trade, how the boys husk the seeds, ferment them, wait for the middlemen to drive in to haul them to the towns where they’re further processed. These trucks might be a route out of slavery. Or maybe not.

It happens that Khadija’s mother, a journalist, had been writing an article about the corrupt chocolate trade. Khadija had been kidnapped in order to silence her mother.

Khadija’s mother might be able to save Khadija from the corrupt cacao lords, but can she do anything for the two Malian boys? There are waves of tension due to loyalties and class distinctions among the well-drawn and realistic protagonists. So interesting!



Patricia Hruby Powell is author of the young adult documentary novel Loving vs. Virginia and Josephine: The Dazzling Life of Josephine Baker   talesforallages.com


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“Exit, Pursued by a Bear” by E.K. Johnston

In “Exit Pursued by a Bear” (Dutton 2016) by E.K. Johnston, high school senior Hermione Winters is captain of the cheerleading squad. Polly, her best friend, is co-captain and the friend that everyone on earth needs. The championship cheerleading squad is the gem of the town—more so than the teams for whom it cheers. That’s cool.

Senior year should be Hermione’s best year to date, but at the end of summer cheer camp, at the dance party, an unknown boy drugs her punch and rapes her at lakeside. Hermione is left unconscious, half in the water, with no memory of what happened. But once in the hospital she knows it’s awful—whatever it was, and she can guess. But who did it?

The author breaks that arch writing-rule that states: heap problems on your protagonist. Hermione is a confident, witty, talented, intelligent force at school. Polly is a miracle of a best friend. Her parents and her pastor are supportive. Everything is great, except—Hermione was raped. (Well, her boyfriend, Leo, is a douchebag). But all this good happening for and by Hermione lets us focus on one issue—rape—and how Hermione refuses to be a victim.

Hermione will not let this tragic event make her hide away and request home schooling or put up emotional walls—in spite of the fact that she has plenty of reason to do so.

She doesn’t care for the way people are treating her—as if she’s broken—or how they’re looking at her at the grocery store. She says to her pastor that she has a presumptuous favor to ask: “Please don’t ask people to pray for me.” She doesn’t want to be known as the girl-who-was-raped.

When Leo, her jealous boyfriend—actually, ex-boyfriend—suggests maybe Hermione was flirting and deserved what she got, she lays into him, saying, “If you think I’m going to apologize for being drugged and raped, you have another thing coming.”

Polly’s betters that. She says, “So let me get this straight . . . You’re okay with asking a girl who was wearing a pretty dress and had nice hair, who went to the dance with her cabin mates, who drank from the same punch bowl as everyone else—you’re okay with asking that girl what mistake she made, and you wouldn’t think to ask the boy how he would avoid raping someone?”

There are more twists and turns to the story, but those would spoil your reading of the book.

Every girl who has ever been sexually assaulted or known someone who has, should read this book. So should every boy who has ever raped or known one who has. Every reader might try to be a friend like Polly. E.K. Johnston writes so well, showing a dark reality highlighted by compassion. And it’s a fast read at only 242 pages.


Patricia Hruby Powell is the author of the young adult documentary novel Loving vs. Virginia (2017) and Josephine: The Dazzling Life of Josephine Baker (2014). talesforallages.com


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“Girl Rising: Changing the World One Girl at a Time” by Tanya Lee Stone

Be warned. You could become an activist after reading Girl Rising: Changing the World One Girl at a Time (Wendy Lamb Books 2017) by the remarkable Tanya Lee Stone. Follow twenty five girls world-wide who were denied education, fought back, and won.

Suma from Nepal was not an orphan, but her family lived in poverty. Suma was first bonded into kamlari—or slavery—when she was six. She worked from dawn until late night, ate scraps from the master family’s finished plates, and slept in the goat shed. She was sexually abused. Suma fought back. Six years later she was given a scholarship with Room to Read and is now receiving an education. She plans to be a medical assistant.

Sokha from Cambodia, Senna from Peru, Mariama from Sierra Leone have similar stories. So do girls from India, Ethiopia, Haiti. Interesting fact: in more than fifty countries, school is not free. Either are books, paper, and pencils.

“A girl on planet Earth has a one-in-four chance of being born into poverty . . . Slavery and child marriage are two major obstacles keeping girls out of school . . . poverty is often at the root . . .” If parents cannot feed their daughters, they hope a husband can. Once married, girls rarely go to school.

It is not always a case of poverty. In many cultures boys pursue education but girls cannot. Woman’s role is to bear and raise children and serve her husband. “In India, Pakistan, Afghanistan, Jordan, Syria, and many other places, girls have been abducted, sexually abused, poisoned, shot, and had acid thrown on them: their schools have been bombed, burned, down, and shut down—all payback for the crime of wanting to be educated.”

The remarkable Malala Yousafzai is probably the most famous of these young women, but she is by no means alone.

Stone used hundreds of hours of raw footage shot by the filmmakers of Girl Rising, as well as original research to bring to life the stories of girls who are conquering obstacles. The reader gets to know these indomitable girls, see them create lives for themselves, and inspire other girls in their communities to break through cultural barriers in order to go to school. We come away hopeful and ready to fight for more girls.

Stone shows that not only individual girls from around the world are helped, but by educating girls, the world is made safer and more prosperous. When girls and women rise, so do their communities. And women have the perfect “platform” to pass their values on to their children.

In a chapter entitled, “Use What You Love to Inspire Change,” Stone suggests that the reader can organize a fashion show, poetry slam, cabaret, or a hoops competition to raise funds for one of the many Women’s organizations (with websites) she lists. Besides stories and full color photos of the girls in the stories, Stone introduces us to the filmmakers of Girl Rising. Read the book. See the documentary. Become an activist.


Patricia Hruby Powell’s is the author of the young adult documentary novel Loving vs. Virginia, Josephine, winner of Boston Globe Horn Book Honor, and other books. talesforallages.com

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“The Hate U Give” by Angie Thomas

What a moving and timely story! Sixteen-year-old Starr Carter lives in the black ghetto of Garden Heights and
goes to a white private Williamson in “The Hate U Give” (2017 Balzer & Bray) by Angie Thomas.

At her white school Starr says, “I’m cool by default because I’m one of the only black kids there. I have to earn coolness in Garden Heights.” At Williamson, “It’s dope to be black until it’s hard to be black.”

Starr attends a party in the hood where she knows she doesn’t belong. She meets up with Khalil, her best friend until he recently started selling drugs. A fight breaks out. Khalil grabs Starr’s hand and they drive off.

A white cop stops them for a broken taillight and orders Khalil out of the car. Starr hopes Khalil knows what her Daddy has drilled into her—“Keep your hands visible. No sudden moves. Only speak when spoken to.” Khalil bends his head to ask Starr if she’s okay and the cop shoots him. He dies in Starr’s arms on the street.

Starr is devastated, of course, and says, “ . . . people like us in situations like this become hashtags, but they rarely get justice . . .we all wait for that one time, though . . . when it ends right.”

We experience Starr’s loving complicated family. Daddy is an ex-con who got out of the neighborhood gang by serving time for the gang leader. Momma is a nurse working in the clinic. Starr’s parents work hard to protect their kids. Seven is her older half-brother whose other family is fathered by the abusive gang leader, King.

Seven, Starr, and younger Sekani all study at Williamson where Starr has a white boyfriend, Chris. Starr says, “ . . . am I betraying who I am by dating him?” Her Black Panther Daddy would think so, and it doesn’t go over easy when he discovers the relationship in the midst of the hood riots.

If Starr comes forward as the witness, her family will suffer repercussions in the hood. She’s reluctant, but circumstances move her to act. On the news, Khalil is described as a thug, as if to excuse the cop’s action. Her uncle is a detective and vows to protect her. Can he?

Starr battles racism at school at the hands of blond Hailey. But Maya, her Asian friend says, “We minorities must stick together.” Chris is frustrated by Starr’s secrets. But she can stand on her feet and won’t take any nonsense, just as her Momma won’t.

“Daddy once told me there’s a rage passed down to every black man from his ancestors, born the moment they couldn’t stop the slave masters from hurting their families.” You accept Daddy’s rage, and, boy, do you worry for him. You see him humiliated by cops in front of his children. You love every member of this family who is trying to change a bad situation, but in a real way. There is nothing sugar-coated or easy here. Wow!


Patricia Hruby Powell’s is the author of the young adult documentary novel Loving vs. Virginia, Josephine, winner of Boston Globe Horn Book Honor, and other books. talesforallages.com

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“Dreamland Burning” by Jennifer Latham

Rowan Chase, 17, the daughter of a white oil magnate father and a black lawyer mother finds a skeleton under the floorboards in the “back house” of her spiffy Greenwood area Tulsa home in “Dreamland Burning” (Little Brown 2017) by Tulsa resident Jennifer Latham.

Will Tillman, 17, son of a white shop-owner and full-blooded Osage Indian mother, is in love with Addie, the prettiest girl at school, in 1921 Tulsa. Sincere and ignorant Will sees Addie at a speakeasy with a handsome young black man. It’s Prohibition, which doesn’t stop anyone from drinking, and Will is stumbling drunk. His manly pride injured, Will goes racist haywire on the black man, Clarence. In defense, Clarence pushes Will who falls and breaks his wrist. Bad news in segregated Tulsa.

In 1921, Greenwood was the wealthiest black neighborhood in the nation. If you know your race riot history, you know Memorial Day weekend began the worst race riot of the nation, when white people burned 35 blocks of black Greenwood. An estimated 300 people were killed. And it was all hushed up for decades. That’s the background story.

Alternating voices take us back to Rowan who slips a mildewed wallet from a scrap of pocket off the skeleton before her mother calls the police. The police aren’t real concerned about a hundred year old murder case, but Rowan is.

1920s Will is white enough to attend the white school, but his detractors call him “half-breed.” His Osage mother has oil rights to Maple Ridge plus she’s inherited 2 other portions. She’s rich. But racism against Indians requires her to have a white sponsor to hold her monies. That would be Will’s father, who is building a luxury house for the family on the edge of Greenwood.

Rowan and Will are both complex and well-drawn characters. Privileged and snarky Rowan describes a nearby high-end shopping mall “where the flowerbeds are perfect and the luxury cars roam free.” Her summer job is at a free clinic, and she loves the job.

Under the influence of his friend Clete, Will has falsely accused Clarence of assaulting him. Clarence is beaten by a white mob that plans to lynch him. Will isn’t bad, but he’s young and weak, until he begins to grow up.

Due to the parallel stories we can view racism—the degree of hatred allotted to varying complexions—then and now. Rowan’s mother says, “Black men and women are dying today for the same reasons they did in 1921. And we have to call that out . . .”

Rowan and best friend James are trying to solve the aged mystery with the contents of the skeleton’s wallet and it’s not pretty. Because we, the reader, have Will’s story, we’re a little ahead of Rowan, but not much. Latham has ingeniously structured her story to be a page-turner—every single page.

Readers follow two teens coming of age, making moral decisions and discovering their own values, while being steeped in the deep waters of history.



Patricia Hruby Powell’s young adult documentary novel in verse, Loving vs. Virginia, is now available. talesforallages.com


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“A List of Cages” by Robin Roe

Affable Adam, a senior, appears to have a perfect life. Maybe he’s a little wired, but he’s lovable, affable, and he’s everyone’s friend. His Mom deals with his ADHD with homeopathic drops so he’s on no hard medications. His elective is perfect—he’s the aide to the school psychologist in Robin Roe’s debut novel “A List of Cages” (Hyperion 2017).

Adam’s first assignment is to deliver the elusive freshman, Julian, to counseling. Julian turns out to be the kid that Adam tutored in reading when he was ten and Julian was five.

Then two years later, Julian’s parents both die and Adam’s family fostered him. That fostering ended badly. On every page you wonder why.

Julian is still sweet, he writes stories like he used to—but he’s quiet now. He disappears at school, is never seen at lunch. He’s keeping secrets.

We follow Adam with his lively group of close friends. Alternately, we follow Julian into the theater, into the fly area, over a gap, through some loose boards and into his hidden space. And boy, does this kid have a lot to hide from.

Julian is meek and broken like a whipped puppy. He lives with his Uncle Russell now, but Russell is gone for days on end. Whereas that’s lonely, it’s worse when Russell arrives home. Julian had cleaned his grimy shoes with something he found under the sink and left a bleach mark on Russell’s beautiful wooden floors. Russell accuses Julian of being spoiled. Sensitive Julian hears “spoiled like old meat”—“no-good garbage.” Just like Julian “spoiled” his bedroom when he put up a poster the first day he’d arrived, some years ago.

Russell whips Julian with a willow switch. He leaves scars but his ill-fitting clothing hides the marks and Russell has arranged Julian not to take PE. So why is Russell’s house beautiful, pristine, expensive, while Julian wears too-small filthy clothes? Adam sees that something is amiss. As a reader, I got so immersed in Julian’s pain it was sometimes hard to leave him and transfer to Adam.

Julian says about the school psychologist: “She’s being nice, but it just makes me more nervous because she expects me to tell her things so personal that they need to be confidential.” Playing SORRY! is too cruel a game for Julian because the SORRY! card means you kill off your opponent’s people. Who would want to do that?

About missing his parents: “You miss the things they did and who they were, but you also miss who you were to them . . . When you know you’re going to tell someone everything, you see your day through your eyes and theirs, as if they’re living it alongside you . . . But when you don’t, it isn’t only not seeing double—it’s not seeing at all. Because if they aren’t there, you aren’t either.”

Robin Roe counsels troubled teens and you know this is real. You will love both Adam and Julian and rejoice in their friendship.



Patricia Hruby Powell’s young adult documentary novel in verse, Loving vs. Virginia, is now available. talesforallages.com


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“The Sun is Also a Star” by Nicola Yoon

What a perfect cast for a love story! Natasha, 17, is slated to be deported from New York City with her family, back to Jamaica. Daniel’s parents immigrated from Korea and had their children in the U.S. They run an African American hair supply store. Despite the injustice and weirdness of this, it turns out that most black hair and beauty stores are owned and run by people from South Korea.

“The Sun is Also A Star” (Delacorte 2016) by Nicola Yoon is told in the alternating voices of romantic Daniel and Natasha who thinks like a scientist. Daniel, the poet, sees Natasha on the street, not at his parents’ shop because she wears her hair in a huge Afro. Whereas Natasha is precise and reasons empirically, she’s also sensual. When she listens to her music she is transported. When she eats Korean food for the first time (with Daniel), she’s close to ecstasy.

When they meet, Daniel is making his way uptown to talk to a Yale admittance interviewer—only because his family expects him to become a doctor. Natasha is on her way uptown in a last ditch attempt to rescue her family by talking to a reputedly stellar immigration attorney.

Daniel professes his love at first sight, but Natasha is a hard sell. However, she agrees to walk along with him. The two could not be more charming as they get to know each other—she keeping secrets and he wearing his heart on his shoulder. Natasha meets Daniel’s über-strict Korean father and cruel older brother, Charlie, who has just been kicked out of Harvard. Daniel is delivering the bag of money his mother has entrusted to him. The entire story, except for an epilogue, takes place in one day. And you might read this 350-page book in one day. Do not assume that it will resolve in a Hollywood ending.

Daniel oftentimes subtitles his sections, as if it were a news report: “Local Teen Accepts Destiny to become Doctor, Stereotype.” The cadence he gives his mother’s speech over brother Charlie’s shame makes us hear her and know her. “Why you grades so bad? They kick you out? Why they kick you out? Why not make you stay and study more?”

Or Natasha, quoting her mother: “You no think is time for you to give up now, ‘Tasha? You no think that what you doing is futile?”

        The alternating voices of the couple are interrupted by narrations of a character they’ve met during the day and with little histories—such as why South Koreans dominate African American beauty supply stores. Starting in the 1960s and ever since, straight black Korean hair wigs were extremely popular. At the time, the US government banned the import of wigs containing hair from China. So South Koreans had the monopoly. And the wig business evolved into general hair care business.

The story of opposite personalities falling in love sounds like a cliché, but it feels new in Yoon’s hands. No wonder it’s a best seller.


Patricia Hruby Powell’s young adult documentary novel Loving vs. Virginia released 1/31/17. You’re invited to the Book Lunch Party 2/16/17 at 5:00 pm at the Esquire. talesforallages.com

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“The Passion of Dolssa” by Julie Berry

“The Passion of Dolssa” (Viking 2016) by Julie Berry is certainly an oddity in the world of young adult literature—and what a terrific oddity.

The subject matter will not be found in many U.S. high school curriculums. Set in 13th century Provence or Provensa, as it was called at the time, the story centers around 18 year old Dolssa, a Catholic mystic, born in the waning years of the crusades to a prosperous wine merchant. This was also the dawn of the Inquisitions that are best know for the later Spanish Inquisition of the 15th century.

Just as important as Dolssa (or more so) is 17 year old Botille the aspiring matchmaker, along with her two sisters, beautiful older Plazensa who dabbles in prostitution, and Sazia, younger, who tells fortunes. When their parents died some years back, they’d become petty thieves, but since, had moved to the seaside village of Baja and opened a successful tavern.

The early chapters are Dolssa’s testimony as recorded by Father Lucien of the Cloistered Fathers in Tolosa (Toulouse). She speaks of her beloved Jhesus who she claims visits her and directs her actions—which many in Tolosa see as miracles of healing. However, Father Lucien condemns Dolssa as a heretic. When she will not renounce her “beloved” she is sentenced to burn at the stake.

Where as Dolssa’s sympathetic mother is not as fortunate as her daughter, Dolssa escapes her execution. She is wandering the countryside close to death, when Botille, while traveling with her sister Sazia and neighbor men on a village errand, saves her. Sazia predicts that Dolssa will bring Botille only pain. But spunky clever Botille cannot turn the suffering young woman away. They bring her to Baja and begin nursing her back to health.

Father Lucien and the Knight of Tolosa are searching for Dolssa under the orders of the archbishop who must rid the Catholic world of the devil—that is—“heretics” such as Dolssa. We learn that the Crusade, that recently swept through the area of what is now southern France, was a bloody purge and the Inquisition is the next step of the church’s attempted control of its faithful. The reader sees how an oppressive force works one neighbor against another. Betray a friend to save one’s own family.

The cast of nuanced characters is listed in the back, as is a copious author note that further describes this little known moment of history, which is reminiscent of the Salem witch hunts, as well as a precursor to how the Nazi regime gained control of the German population.

This is every bit an adult book as well as a young adult read. It’s exquisite.


Patricia Hruby Powell’s young adult documentary novel Loving vs. Virginia releases 1/31/17. You’re invited to the Book Lunch Party 2/16/17 at 5:00 pm at the Esquire. talesforallages.com

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Third and Final Loving vs. Virginia Give Away

And the third and final Give Away, goes to [drum roll] NikolaBooks. Congratulations, Nikola. Nikola, please email me at note to phpowell@talesforallages.com and let me know if you simply want it signed, or signed to you or . . . what.

The second give away went to Nancy (still waiting for you to respond, Nancy :-). The first to Deb Aronson. Thank you so much, everyone, for entering. If you did not win a copy of the book, I do hope you will still pre-order Loving vs. Virginia, which releases on January 31, 2017.

That can be done at the following Links: http://www.chroniclebooks.com/titles/loving-vs-virginia.html

or at http://www.janeaddamsbooks.com/

Or anywhere you buy books.

Or come to the Book Launch Party in Champaign, IL at the Esquire Lounge (106 N. Walnut Champaign) Thursday, February 16, 2017 from 5:00 – 8:00 pm. Jane Addams Books will be selling the books; Robin Kearton and Tom Faux will play string music (because Mildred’s family played what they called “hill billy” music as a string band). The Esquire will be serving (along with their complete menu) Brunswick stew which is a traditional Virginia dish. Come, have a beer, listen to a brief reading, listen to the music, get a book (not required) and have a good time.

Or come Friday, March 3 to the Urbana Free Library celebration, 6 – 8 pm, where Loving vs. Virginia and I will be part of the new Urbana Imbibes events.

HornBook (January/February 2017) wrote a lovely review and added my answer to their question: Why did you choose to write the Lovings’ story as a “documentary novel”?

Patricia: I had begun Loving vs. Virginia as nonfiction. But my editor, Melissa Manlove, and I

this was once Byrd’s corner store where the Jeters and Lovings shopped for groceries

felt that the story would be more poignant to young readers to show scenes of Mildred dancing and Richard looking on at a neighborhood party rather than just saying: Indians, blacks and whites worked together, partied together—lived well together in an integrated neighborhood—in a segregated state. I could show the two falling in love and running through the woods at night. I could show Sheriff Garnet stopping Richard’s car and saying about Mildred, “Who you got in there?” rather than saying the racist sheriff stopped black people driving along the Sparta Road to intimidate them. Mildred and Richard are both deceased but I spoke to Mildred’s brothers and Richard’s friends and used their stories about the couple, but in a documentary novel, I could create dialog that can draw the reader into the emotional heart of the story. By studying Hope Ryden’s film footage of the Loving family in the 1960s, I got to know the two, and speak in their voices.

Thanks for supporting Loving vs. Virginia. And Have a Happy New Year.

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