Patricia Hruby Powell

Frances Hardenge sets “The Lie Tree” (Amulet 2016) in Victorian England, amidst the argument of God vs. Darwin’s theory of evolution. Faith, 14 years old, soon-to-be a woman, must feign ignorance in order to discuss natural science.

Speaking to a doctor who measures his patients’ heads, Faith remarks, Oh, you’re a cranionimist. When he balks and threatens to stop speaking, she timidly asks, Is that the right word? Due to her timidity he can continue. Message: a woman musn’t be too clever.

Faith observes that women “expand into the space left by men.” Various women maneuver differently, “without visibly changing, they unfolded, like flowers, or like knives.” Faith’s mother, pretty and clever in the ways of women-who-know-their-place, stakes her claim in the pecking order of the local caste, surviving on her good looks—unfolding as a flower to impressive results. These are her tools in an unfair world. At first her mother’s coquetry is abhorrent to Faith, but she learns to appreciate her mother’s high intelligence.

Hardenge gives insight into human foibles with wit akin to Jane Austen.

Faith’s father, a clergyman and natural scientist drinks tea along with his colleagues “while racing their rival theories like prize ponies.” The men speak science. And argue God vs. Evolution. Could God have created imperfect animals? No. Faith longs to join the discussion—and argue—but she’s doomed to drink tea with her docile mother and the ladies.

            Faith thinks of herself as dull, prim, and shy. We see her as daring to be inquisitive. When she tells her stern and revered father that she is clever he accuses her of being burdened with “repellant vanity.”

Mystery opens the story with her father being banished from London to avoid a scandal. We know it has something to do with the credibility of his research. But what has he done? One third of the way through, a death occurs in the family. Is it an accident? Suicide? Murder? This book, besides providing insight into a precursor to our society, is a page turning thriller.

Characters are playing each other. Faith is no exception. Playing on the servant’s superstitious natures, she sets up situations which reek of witchcraft. The servants are terrified and the remaining family members fear the servants. Hardenge sums up one scene, saying, the room “crackled of fear.”

Most nights, Faith risks her life to row out into the night-time bay to a cave where her father has hidden a struggling plant he’s brought from London. The fruit from this plant, “the lie tree,” bears fruit when someone utters a lie to it. The fruit, in return reveals a hidden truth to that person. Faith wants the truth and goes to great extremes to get it.

What wonderful imagination and stunning execution ground this award-winning book. First published last year in England, it’s only the second young adult book to be awarded the prestigious Costa Book of the Year (formerly “Whitbread”) since Philip Pullman won in 2001.

 

Patricia Hruby Powell is the author of Josephine: The Dazzling Life of Josephine Baker. Her young adult documentary novel Loving vs. Virginia releases in January 2017. talesforallages.com

 

Steve Sheinkin won the Boston Globe Horn Book Nonfiction Award for his last three books including his most recent “Most Dangerous: Daniel Ellsberg and the Secret History of the Vietnam War” (Roaring Brook 2016). No wonder. It’s thoroughly researched, clearly stated, and reads like a thriller.

Ho Chi Min came to power in Vietnam at the end of WWII. America supported him briefly, then slighted him because he was communist. Vietnam divided into North (Communist) and South. The U.S. with its Cold War fear, needed to halt Communism.

A bright young man, Daniel Ellsberg, went to work at the Pentagon.

President Johnson wanted to fight a war against poverty, ignorance, and disease. Instead he was handed the Vietnam War. In Top Secret documents he was advised that the (communist) Viet Cong had more staying power and the U.S. could not win the Vietnam War. The Johnson administration systematically lied to the American people, saying that North Vietnam initially fired on the U.S. Not true. When Johnson sent 200,000 U.S. soldiers he told the American people that he sent 125,000. He said the war would be brief. He knew it would be long. But he did not want to be humiliated as the first U.S. President to lose a war.

Working with Top Secret Pentagon papers, Ellsberg knew all this. Ellsberg was demoted for sneaking a peak at a forbidden binder. But he was able to copy and take the 7,000 Top Secret war report when he was fired. These became known as the Pentagon Papers. Intense, intelligent, and deeply patriotic—Daniel Ellsberg went to Vietnam to try to find a way to win the war. Or end it.

In 1966 Secretary of Defense MacNamara, knowing we couldn’t win the war, didn’t tell President Johnson. Johnson escalated the war and lied to the American people again. He sent Henry Kissinger to Paris for Peace Talks with South Vietnam President Thieu. Presidential candidate Richard Nixon used his friendship with Thieu asking him not to cooperate in the peace talks so Johnson would look bad and he—Nixon—could win the presidency, which he did.

President Nixon secretly escalated the war, bombing Cambodia. Still in Vietnam, Ellsberg realized that the South Vietnamese wanted the war ended under any circumstances. We were there because no U.S. president wanted to lose. This, Ellsberg felt, was an abomination.

Ellsberg leaked the Pentagon Papers, first to the New York Times. The government ordered the newspaper to stop printing and went after Ellsberg. But Ellsberg had already gone to the Washington Post. Then the Boston Globe and the Chicago Sun Times. Nixon was in a strangle hold. He sent FBI workers to illegally take Ellsberg’s psychiatry records. Those agents (who were trying to seal leaks) became known as the Plumbers. They failed miserably. Nixon’s presidency ended. The Vietnam War ended.

Read this book. Please.

 

Patricia Hruby Powell’s book Josephine: The Dazzling Life of Josephine Baker was awarded a Sibert Honor for Nonfiction, Boston Globe Horn Book Nonfiction Honor, and a Coretta Scott King Honor for illustration. talesforallages.com

Flannery, 16, lives with her charming but flaky mother in St. John’s, Newfoundland. Flannery says, “We used to be what’s called the working poor, but now we’re just plain old poor.” Her mother, Miranda, is an eco-artist, but that doesn’t qualify as work. She’s not paid. Both Flannery and Miranda are loveable characters in Lisa Moore’s “Flannery” (Groundwood 2016).

As is a somewhat common theme in young adult literature, the precocious daughter is more responsible than her single mother. Miranda’s most recent major installation was an ice sculpture of a mama polar bear and her cub. She carved it with a chain saw and set it to sea to melt—her comment on global warming. Very cool, but, as Flannery points out, it doesn’t pay the bills.

Starting in France, Flannery’s father was sailing around the world on a boat made of junk—outsized plastic containers, rusted refrigerator doors, found tarps—to protest the garbage that is abandoned on African beaches. He landed in Newfoundland on one wonderfully romantic night. But we don’t know his name, because Flannery doesn’t know it. Because Miranda never asked his name. So he doesn’t even know he’s a father.

Flannery’s “voice” is fun, intriguing and remarkably authentic. It draws you in as you wait for the story to get going. Flannery has a little brother. She knows who the father is, but Hank has left them to marry a law student like himself. Flannery wants Miranda to tell the adorable, naughty, annoying Felix who his father is, but Miranda won’t.

Flannery’s best friend, Amber, “drops” Flannery and stops competitive swimming all for an abusive boyfriend. Flannery is in love with bad boy Tyrone who is an outlaw graffiti artist. They’ve known each other since they were toddlers. Things look up for Flannery when their entrepreneurship teacher pairs her with Tyrone to do their final project. But Flannery ends up doing it alone since Tyrone neither comes to school nor answers her texts.

But it’s Tyrone’s idea to sell love potions as their project. Flannery knows it’s a gag, but she’s going all out, having little bottles blown by a glass artist who’s on his way out of the country. The red “eternal love” potion is actually boiled beet water, the “crush” potion is spinach water, plus there are two others. Surprisingly, the potions seem to work. Power of suggestion?

Best friend Amber is making a rock video of her boyfriend’s band for her entrepreneur project. He’s also her project partner. The boyfriend works to isolate and humiliate Amber. But Amber will not allow Flannery or anyone else to help her.

There are lots of issues, which do indeed get tied together. You root for all these quirky characters through the many subplots. Not everything works out ideally for Flannery, but there are a lot of issues to hold the attention and respect of teens.

 

At the height of the two mile Coronado Bridge from the California mainland to the Island is a jumping spot. So many people have jumped from the 250 foot height that one of the surveillance cameras is trained right on it. Graycie is a single mom whose job it is to watch the monitors. But she gets distracted. When she looks up there’s an empty car stopped at that spot—but no person. It’s nighttime. A light is broken. The view is hazy. Graycie doesn’t see a person—just the stopped car. She needs this job. She can’t admit that she spaced out.
Graycie is one of at least fourteen narrators who tell the story of “The Incident on the Bridge” by Laura McNeal (Knopf 2016). But it’s seventeen-year-old Thisbe’s story.
Fen drives long distance to visit his Uncle Carl on Coronado Island after his father dies. Carl, a police officer, is also brother to Fen’s father. At the highpoint of the bridge a car stops right in front of Fen and a girl gets out. She leaves the car door open. He’s annoyed. Should he help her? She waves him on.
Officers Lord and Skelly assume that someone jumped. They trace the deserted car to seventeen-year-old Clay, but Clay wasn’t the driver. He’s well and alive and living on his boat, seducing girl after vulnerable girl, just like he seduced impressionable Thisbe.
If someone jumped, shouldn’t there be a body? But bodies get stuck under the pylons or carried far off by currents and aren’t always found.
Ted, Thisbe’s beautiful street-wise younger sister, had told Thisbe that Clay was a creep. But he was so handsome and convincing. If Thisbe had any sense, she would have fallen for tennis playing Jerome, who truly likes Thisbe. Thisbe is school-smart, but she sure isn’t people-smart.
Thisbe, in desperation, had stolen or borrowed Clay’s car. She’s at the center of the incident on the bridge. Thisbe’s mother Anne is, of course, frantic when Thisbe doesn’t come home. Ted knew her sister was depressed, but she doesn’t think her sister would kill herself. She buddies up with Fen and searches for Thisbe.
Frank is an older menacing character complete with an odd backstory. When he was a boy he played realistic pirating games with his sister, until it ended badly.
The backstory and front story unfold in 87 brief chapters told by many voices and deserves to be read in large swaths of time rather than 20 minutes each night before bedtime.
McNeal knows her setting—California’s Coronado Island and she knows California beach kids and their boating and water culture. She knows how her characters think and how they talk—most are either likeable or fascinating in some way. I felt invited into a world I knew little about. The book might start a little slowly but it picks up and begins pulling you along at a rapid pace.

Patricia Hruby Powell is the author of Josephine: The Dazzling Life of Josephine Baker. Her young adult documentary novel Loving vs. Virginia releases in Jaunary 2017. talesforallages.com

In 1939 Krakow, Poland, seven-year-old Anna awaits her father’s return at Herr Doktor’s pharmacy. Gavriel Savit writes “To a child, an empty hour is a lifetime” in his insightful debut novel, “Anna and the Swallow Man” (Knopf 2016). Motherless Anna eventually realizes that her linguist father will not be returning, although she doesn’t know it is the Gestapo that has taken him.

Herr Doktor, afraid to hide Anna, sends the child into the streets where she meets a tall lanky man who carries a doctor’s bag. Whereas he’s somewhat menacing, he feeds and talks to birds, and this attracts Anna. When he sets off across a field, Anna follows. Thus begins four years of wandering—behind the enemy, sleeping under hedges in all seasons, and enacting schemes to cross border control. As Germany pushes through Poland from the west and the Soviets from the east, “Anna and the Swallow Man made it their labor to walk.”

Savit speaks of the “wise clear-sightedness of a child” which some adults name “precocious.” The reader will remember how it felt to be a child, making sense of an incomprehensible world. Both the Swallow Man and Anna speak Polish, German, Russian, easily and well. This helps. They always wait for any stranger to speak first, and they match language and dialect. After all, Anna’s father was a linguist. Anna is adaptable. The pair, overall, speaks the language: Road. They speak in riddles in the presence of others.

The Swallow Man has rules—rules that will keep them alive. “To be found is to be gone forever.” (Her father had been found). When they are in a large town, the pair enacts a prosperous father and daughter out for a stroll. When in the country, the pair became regional country folk. They each have two sets of clothing, one being stored in the thin man’s satchel. Over the seasons and the years, new clothes are procured, oftentimes taken off dead bodies.

Another tenet—“Money divides people into buyers and sellers,” so they use no money. They are given food or exchange tasks for food. The Swallow Man has a knack for making comrades out of each acquaintance. He teaches Anna that other humans are their best bet for survival. He also teaches, “People are dangerous.” In spite of this, Anna makes a friend of an itinerant musician, who accompanies the pair for a time.

Another of the Swallow Man’s rules—he is the riverbank, she flows within. He is in charge, she will follow his lead. Until the day that even the Swallow Man becomes unreliable—grossly unreliable. Anna, now ten, must take their survival into her own hands.

How many people hide themselves in full view? I had never before thought of this in terms of Jews during World War II. Savit, a working actor, professionally takes on other identities. In his book, he probes mysteries of identity, adaptability, death, and ethics. This “young adult” book should be read by adults.

 

Patricia Hruby Powell’s book Josephine: The Dazzling Life of Josephine Baker was awarded a Sibert Honor for Nonfiction, Boston Globe Horn Book Nonfiction Honor, and a Coretta Scott King Honor for illustration. talesforallages.com

Marcus Sedgwick’s “Ghosts of Heaven” (Roaring Brook 2015) is comprised of four haunting stories linked by the concept of a spiral. The four stories span prehistory to the future and is recommended for readers 12 and up.

A Paleolithic girl with no name is intrigued by a fern head, a snail, then the path of a falcon flying the skies. Her tribe is attacked and she runs deep into a cave—into “the black marrow of the earth.” She would like to have been the tribesperson chosen to draw on the cave wall. But her people are gone now. The narrator identifies her as “she who goes ahead when others fall behind.” She must communicate to those with whom she cannot speak. Can you communicate with a drawing? A glyph? She makes a spiral. This could communicate something concrete to the viewer. This is the beginning of written language.

The second story finds Anna in 17^th Century England. Her mother, the village healer, dies. The vicar has also recently died so the town creates its own Christian-pagan funeral ceremony, which includes a frenzy of spiral-patterned dance. The new vicar arrives and sees devilry. With her mother gone, Anna is left to care for her epileptic brother, Tom. Besides working at the mill, Anna continues her mother’s healing work, certain that she can find the cure for her brother’s seizures. Anna’s life is doomed when she spurns the advances of the young lord of the manor house. The townspeople, to save themselves, allow her to be hung with a spiral threaded rope when she is accused of witchcraft.

Part three takes us to a 19^th century New York asylum where a new doctor with a young daughter, treats a mad poet. The poet is terrified by the spiral staircase, which suggests infinity and the endless sea where he lost his wife. In this story, you wonder who is sane and who is not—a common but intriguing theme.

In part four, a young astronaut travels in a craft, spiraling through space. Every ten years he’s awakened from an induced sleep to do his turn in manning the craft. The craft is transporting a couple hundred chosen sleeping people to another habitable planet for colonization. Again, there is the theme of madness. Who wouldn’t go mad in such a situation?

Marcus Sedgwick, the 2013 winner of the YA Printz Award for Midwinterblood, writes masterfully. Each of the four parts of Ghosts is written in a distinct and authentic voice, which spirals us through time, not to return to the same place we started. The four distinct stories could lead readers to genres they’ve never read before.

 

 

Patricia Hruby Powell’s book Josephine: The Dazzling Life of Josephine Baker was awarded a Sibert Honor for Nonfiction, Boston Globe Horn Book Nonfiction Honor. Loving vs. Virginia comes out January 2017. talesforallages.com